Yamaha ex5 patch editor software11/8/2022 ![]() ![]() Utilized with FM-X you can explore some very different and new possibilities. Sound can be modulated by other Parts or external audio signals using the Envelope Follower. The Montage has a stereo A/D input, so you can modulate parameters with an external source, or you can use one part to modulate another with the Envelope Follower. ![]() He highlights uses the ‘Super Knob’ (A large macro control knob with a ‘mind-numbing’ number of control destinations, that you can affect in different ways simultaneously.) Deep real-time sound sculpting – “The real time sound sculpting possibilities over the FM-X engine is super deep,” according to Angelos.Much more intuitive sound editing with sliders, buttons, and knobs.Motion Sequences (This allows for many options for rhythmic control over the deeper FM-X engine in Montage).Insert and System Effects (The Montage has a huge range of effect options the DX7 had none).Multiple FM Parts can be used in a Performance (Again, the entire architecture of Montage is completely different and a Performance can have many FM parts, not just one in the “mono” timbral DX7).3-Band and 2-Band EQ (at the Part level…No EQ on DX-7).Additional Common LFO (in addition to the Part LFO.Filter with multiple types (DX7 had no resonant filters).Random-controlled Panning (The DX7 was mono…and 12-bit).“Montage has a mind-blowing level of real time control, with Motion Control and the Super Knob alone, but then you also have the knobs, buttons, assignable switches, etc.” “Remember membrane switches and a single data slider on DX7? Zero real time control,” notes Angelos. Yamaha ex5 patch editor software generator#
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